In the past, batik cloth made by the sultan's daughter since she was a form of memory, processed, so be ready to use batik cloth. Everything is done by the daughters of courtiers assisted. As delivered by Ms. Gardjito of Societies Murdijati Batik Sekar Jagad Lovers, batik is a court within the domestic work of women. As a Javanese woman, there is the necessity to make batik, batik same as exercise patience, perseverance, though taste, and if the initiative.

As a Javanese king who mastered the art of course, the situation where the batik patterns inspired him to create a slope or a machete, which is characteristic of different Mataram ageman with previous batik patterns. Because the creator is the founder of the kingdom of Mataram king, then by his descendants, the patterns of these knives should only be worn by the king and his descendants in the court environment.

Motif ban declared by the Sultan Hamengkubuwono I in 1785. Batik patterns that include the prohibition, among others: Damage Parang Barong, Parang Rusak Gendreh, Parang Klithik, Cement Gedhe Gurdha plane, plane Gedhe Cement Lar, Udan Liris, Rojak Senthe, and machete-parangan motives are the same size with broken machete.

Giyanti years since the 1755 agreement that gave birth to Kasunanan Sultanate of Surakarta and Yogyakarta, all kinds of procedures including haute couture is batik, delivered entirely by the Sultan of Surakarta Kraton Yogyakarta. This is what then makes a mecca Yogyakarta palace cultural development, including treasures batik.

If batik in Surakarta palace has various innovations, but the fact remains pakemnya motifs derived from Kraton Yogyakarta batik motifs. When in 1813, appeared in Yogyakarta Pakualaman Duchy of disputes due to Yogyakarta Sultanate and the British Lieutenant Governor Thomas Stamford Raffles, a split that did not bear significant differences in the development area of the batik motifs.

According to BC Anglingkusumo Kray, law KGPAA Paku Alam VIII, the motifs ban is allowed to enter the Palace area of Puro Pakualaman, Sultanate of Surakarta and Mangkunegaran. The king and the three relatives are entitled to court wearing a batik barong machete damaged because both are descendants Panembahan Senopati.

Traditional Batik Yogyakarta Sultanate in the environment has characteristics of primary colors display a striking white clean. Geometric patterns Yogyakarta Sultanate palace very typical, large, and some of them enriched with a machete and nitik. Meanwhile, at Puro Pakualaman batik is a combination of batik patterns and colors KasultananYogyakarta Kraton Kraton Surakarta batik.

If the white color is characteristic of batik Yogyakarta Sultanate, the brownish white or cream is characteristic of batik Kraton Surakarta. This mix starts since the existence of a close family relationship between Puro Pakualaman with Kraton Surakarta when Sri Paku Alam VII to marry the daughter of Sri Susuhunan Pakubuwono X. Princess of Surakarta Kraton is what gives color and feel of Surakarta in batik Pakualaman, until finally happened combination of both.

Two well-known batik patterns of Puro Pakulaman, the pattern of tekenal Varuna Temple since 1920 and prior years which is Peksi Manyuro RM Notoadisuryo creation. While the pattern of the famous batik Sultanate, among others: Ceplok Blah Kedaton, Kawung, Tambal Nitik, Parang Barong Star Leider, and so on.

So. Batik painting at the beginning of his birth in the palace environment created by calculating the meaning of philosophy. Now, batik has been spreading into areas outside the palace fortress became fashion industry products made in bulk through a printing technique or by other processes. Even contested a number of countries as a product of his culture.

Perhaps legitimate. But as long as it is called batik, is actually no need to argue about who the original owner. Is not the word "batik" (amba point), which explained the origins of language?