There were some specific Batik designs worn by the Javanese royalty and thus it was felt that Batik was originally meant to be worn by the monarchs of the royal Sultan's palace. The Princesses and royal women might have encouraged the finest designs of Batik that reflect the traditional patters. Well, the untidy dyeing work with consequent waxing was done by the court artisans who worked under their direction.
Known as the great fans of art, Javanese royalty supported the development of traditional art form like silver embellishment, leather puppets known as wayang kulit in java and gamelan orchestra. The Javanese dalang (puppeteer) was a major source for the Batik patterns too. Wayang puppets are made from goat skin which was treated and colored to build false impression on the puppet, were usually sold to women who could get the necessary idea of batik designs from these puppets. The used charcoal and blew it through the holes that describe the design of puppet clothing, so that they could copy complicated patterns onto the cloth.
However, some scholars deny the fact that Batik was originally meant for royalty as they feel that it is meant for the rakyat, the people too. It was considered as a significant job for young women of the Central Java, revealing the fact that they are capable enough to handle a canting (an instrument shaped like pen to apply wax to the cloth) with enough tact and skill just like skills used in cookery or other household arts.
0 Response to "BATIK SOLO II"
Post a Comment